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Funky Business book coverFunky Business * * * *
- Talent Makes Capital Dance
 

Jona Ridderstråle and Kjell Nordstöm, 2000, Pearson Education Ltd., Harrow, England

ISBN: 0 273 64591

This book just oozes it own recommendations: be different; be provocative; and challenge. It's complete with 4 letter words not to be used in polite company and definitely not in front of your grandmother. The whole book is based on the premise that:

"The surplus society has a surplus of similar companies, employing similar people, with similar educational background, working in similar jobs, coming up with similar ideas, producing similar things, with similar prices, warranties, and qualities."

Therefore to succeed one has to be different! In a sense this niche business approach is not new, but the book foresees a time when every thing has to be niche. When a world of mass production, of global companies, nation states, political parties, the institution of capitalism, the eternal enterprise and even the family has come to pass.

Chapter 1 sets the scene: a world of knowledge revolution where business in funky. Funky business is truely global, intensely competitive, an endless search for differentiation, and constant innovation. Chapter 2 brings in the assertions mentioned above, about the destruction of the modern world as we know it. Instead, the authors argue, we will live in a global village where modern communications will link business to business and consumers to suppliers. Life will be chaotic. Freedom will bring so much choice, not only of goods and services, but also value systems, religion, philosophical ideas, etc.. Yet for many this kaleidoscope of ideas and offerings will bring spiritual emptiness as they try to make sense of it all.

Chapter 3 takes us into the surplus society that operates continuously around the clock in real time and world wide. Society will become blurred and fragmented. There will be polarisation of ideas and wealth. Individualism will reign with people joining tribes of like-minded people where ever they are in the word. So far so good: many of these ideas are not new but then the authors introduce an interesting concept of the hy-phe-na-ted society. In a surplus society, the authors suggest that innovation comes by linking common things in novel ways. For example, by linking everyday food with drugs to give health enhancing food. The hy-phe-na-ted society already exists in the generic labels of info-tainment, distance-learning, bio-technology, e-mail and TV-dinners to name a few. In such a world, those with the right ideas at the right time and marketed in the right way will take the lions share of a market. It's a winner takes (almost) all world.

Chapters 4 and 5 describe the funky company: focused; leveraged; innovative; heterarchical; leadership forms and culture. Finally Chapter 6 gives personal advice in how to succeed in a funky world where survival is down to individual success and support systems.We must be unique in ourselves, and original and novel with our ideas. They must embody emotion. We must develop our EQ (emotional intelligence) as much as our IQ. In this chapter, the author touches on similar ideas to Joseph Pine's Experience Economy but which he gives the name of Emotional Economy. In the EE it pays to be controversial, to "piss off 90% of the people" as the other 10% will value your products and services because it makes a statement about them. Being "average and almost won't do".

Whilst most of the ideas in this book are not new, the authors have consolidated them into their book, pushed them to the extreme, added strong language to make it a provocative book. At time this gets a bit wearing. Having bought the book, the authors give the impression we might not read it to the end, so they continually assail our senses. But the book is worth the read if it challenges us not to be complacent and if it makes us think how individuals and companies might succeed in the future. Of course not all companies and individuals will be impacted to the same extent, and the speed of such developments will be different in different industries and segments of those industries. The world as we know it will not end tomorrow but the authors highlight signs and possibilities. Read this book and look for the signs yourself. In a fragmented society one size will increasingly not fit all.

Both authors have doctorates and are based at the Stockholm School of Economics.

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Karaoke Capitalism book coverKaraoke Capitalism: Managing for Mankind

Kjell Nordstöm and Jona Ridderstråle, 2004, FT Prentice Hall

ISBN 0273687476

Nordstöm and Ridderstråle's latest book is about the business challenges of consumer choice and copy-cat imitations. The book teaches companies how to stand out from the crowd, have a great life and make money! Don't imitate - innovate!.

Last time we looked, Amazon were offering a combined Karaoke Capitalism and Funky Business package at a discount.

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The Tipping Point book coverThe Tipping Point **
- How little things can make a big difference

Malcolm Gladwell, 2002 (UK), Abacus, UK

ISBN: 0 349 11346 7 Pbk

Many readers will be familiar with the 'crossing the chasm' challenge. This is the critical period after a new product, service, idea etc. is introduced, when it needs to take off and fly otherwise it will fall into the chasm and be doomed. In his book, Malcolm Gladwell proposes that for ideas to take off they need a social dynamic that causes rapid take-up and mass currency to the point that they dominate. He proposes that ideas need 3 things (rules) for this to happen:

1. The right types of people are needed to disseminate and promote an idea: connectors, mavens and salesmen.
2. Ideas need a stickiness factor that makes us come back to an idea again and again until we embrace it and proselytize it.
3. Ideas need the right context of time and place etc. to take root.

Whilst the concept and rules of the Tipping Point may be right, I didn't find that Malcolm Gladwell had produced a book such that the reader could take their idea and create a tipping point. It may well be that each tipping point is unique. Whilst rule 1 can be "managed", and rule 2 may be subject to lots of market testing, rule 3 seems to be dependent more on social climate.

I have 2  main criticisms of this book. First, that it repeats itself and consequently drags. Malcolm Gladwell goes on and on about Hush Puppies, about Paul Revere in the American War of Independence, and he spends the whole of the chapter on Stickiness talking about the children's TV programmes Sesame Street and Blue's Clue. Much of the book talks about Aids, smoking, viruses and other illnesses. Whilst these highlight that not all tipping points are beneficial, they probably have a lot more scientific and complex social orders behind them than the 3 simple rules of the Tipping Point.

Secondly, it is rear view mirror observations that are subject to Gladwell's interpretation as to cause and effect. Still, the book holds out the tantalizing prospect that in launching a new idea, it may be possible to minimise the risk of the chasm and soar off into amazing sales and profit.

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Up the Down Escalator book coverUp the Down Escalator ****
- Why the Global Pessimists are Wrong

Charles Leadbeater, 2003 edition, Penguin Books, UK

ISBN: 0 141 01002 9 Pbk

I bought this book due to the recommendations on the back cover: Will Hutton, a renowned social commentator; The Times Literary Supplement; and not least, Tony Blair, Britain's Prime Minister. Apparently Charles Leadbeater has the ear of Tony Blair, so I wanted to see what ideas Leadbeater is feeding him!

This books claims to set out the reasons why the global pessimists are wrong. After getting a quarter way through, I was beginning to think that the book title had a misprint and it should read Why the Global Pessimists are Right! Leadbeater spends the first 3rd of the book expounding all that is wrong with the world. Terrorism, ecological degradation, lack of social order and community, dehumanising technology, and so on - its all there. I'm all for a balanced argument, but the pessimists have plenty of air time and newspaper columns. Highlighting the main issues with the key arguments would have been sufficient.

Leadbeater does praise the significant progress  we have made in giving people longer, healthier and active lives (at least in the western world). His optimism stems from mans ability to learn, innovate, adapt and apply new science and technology for beneficial uses. He therefore puts great store on universal education and making technology accessible to all. But it needs more, Leadbeater argues. It needs social foundations including the family environment (a major challenge I would say in these times of fragmented relationships) where ordinary people can interact, discover and learn for themselves.

Leadbeater then reverts back to pessimism: technology and the market place encouraging individualism and the destructive self, rather than the supportive family and local community. But soon, he is positively predicting the end of capitalism (an increasingly popular theme of futur-ologists!). Capitalism, he argues, treats humans as mere commodities. In the second half of this millennium, an educated and thinking society will reject control and be able to define the terms of their employment as employees or freelancers - i.e. power to the people, but neither socialism not traditional capitalism. Leadbeater talks about people having authorship (rights over their own crafted intellectual capital) in the same way as independent craftsmen were once held in high esteem for their personalised works of art or handcrafted goods. Thus we all need to rediscover team based entrepreneurship. Further, this entrepreneurship should permeate not just commercial and social life but right into the public sector so that it is radically renewed to serve the enlighten citizen. Looking at recent Government policies it is possible to see Leadbeater's ideas. For example, family friendly workplace polices, proposed new pension policies encouraging a longer but more flexible working life, benefits aimed at those who engage in society through work placement or re-training, providing services on-line 24/7, and making public information accessible.

As we approach the end of the book, Leadbeater gives us a chapter on the positive benefits of globalisation and finally a model of utopia based not on the views of a few, but on the aspirations of the many.

I'm glad I preserved through the first third of the book, as Leadbeater does proposal new ways of developing society. What the final outcome is, when (and if) society is developed by numerous individuals from the ground up (rather that the master plans of the few), who can tell. But Leadbeater is in the end positive and hopeful.

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The Experience Economy ****The Experience Economy book cover
- Work Is Theatre & Every Business a Stage

B Joseph Pine II & James H Gilmore, Harvard Business School Press, April 1999

Modern history has been classified into the agricultural revolution that then gave way to (and sustained) the industrial revolution with it's attendant migration to towns and the population explosion. The industrial revolution was all about products and their mass production. So successful has it been, that there is now a glut of similar offerings, of similar design and quality and at a similar, and very competitive price. In the post-war period, in many advanced western countries, services have supplemented or substituted pure products. But even services have become commodities.What is next? Many say we are entering an information revolution, where people will value and trade information, but Joseph Pine thinks otherwise: "Information is not the foundation of the "New Economy", for information is not an economic offering."

In this book, Pine sets out to argue his case that experiences are a distinct economic offering and the future to economic growth. His very first and opening example is the humble coffee bean. Commoditised on the futures market but sold as a cup of coffee for up to $5 when part of say an experience at a top restaurant or served in the ambiance of a top class theatre. Chapter 1 is the Welcome where Pine sets out his stall: the need to engage customers in a personal and memorable way; how economic data shows the shift to an experience economy; how brands now typically emphasise experiences; and that experiences provide premium prices and highly differentiated offerings.

In Chapter 2, Setting the Stage, Pine makes the important point that experiences are not about entertaining customers but about engaging them and meeting a combination of 4 needs: entertainment, education, escapism and esthetics. Chapter 3 covers the need to theme an experience -  i.e. to script a participative story to incorporate time, space and matter such that all customer's five senses are engaged. Pine suggests that whilst some companies are to-day offering experiences (e.g. shopping malls) they are usually free which devalues them. He foresees shops and malls charging an entrance fee to fund enriching experiences.

Chapter 4, returns to the topic of Pine's previous book: Mass Customisation. In the experience economy, goods and services must first be customised to what customers exactly need and then charged for their value, not the cost incurred. The measure is not customer satisfaction but customer sacrifice - how short of their needs are the company's offering? Chapter 5 follows this point in more detail, bringing in the One to One Marketing concept of developing a learning relationship with individual customers and exploring 4 types of customer sacrifice linked to four approaches to customisation of experiences.

A short intermission chapter uses British Airways as a case study before moving on in Chapter 6 to look at the theatre, not as a metaphor but as a model as to how companies can stage and deliver memorable experiences. Chapter 7 looks at performing using as a model 4 forms of theatre. Chapter 8 looks at acting and introduces the Performance Model that looks at people, their roles, the characterisations they take on, and the total ensemble. For example, the role of the HR department is to stage real auditions. Chapter 9 is about the customer is the product, for successful memorable experiences actually change the individual, indeed they can transform them. In fact, Pine sees an experience economy leading to a transformation economy where companies help customers to realise their aspirations. [Having read this I thought that next time my bank telephones me about investing money, I would challenge them to first transform my life such that I had lots to invest!].

Chapter 10 continues to look at transformations and the need for wisdom. Whereas successful experiences need knowledge about customers, transformations need wisdom to distinguish real aspirations from false hopes, lofty goals, and self-delusions. This chapter also considers the economic value for companies of staging experiences and creating transformations. And finally, in a short encore chapter, Pine suggests a religious or philosophical offering whereby companies provide world views - ideologies if you will - and that there can be no offering beyond transformations because that would be perfecting people which is the province of God.

This was a very interesting book to read, one that I kept at until I finished. There's certainly a logical and progressive argument to the theory, no doubt helped by the various models. Whilst Pine is at pains to state that entertainment is but just one element of experiences, it is this industry, and I include leisure activities, that provide to-day's examples: Disney, Benihana restaurants, Club Med and TGIF Birthday Parties are 4 personal ones. It would therefore be easy to dismiss experiences as not being relevant to many industries and companies but this would be to "throw the baby out with the bath water".

There are other supporting arguments and ones own life experiences to suggest that services are commodities and alone will be insufficient to meet many customer's needs. A trend in western society is for a chasm between those who have plenty and those that are living at a low, even subsistence, level. Many of those with money will seek to have their senses engaged. They will seek to have the ordinary made extra-ordinary. But whether they will pay for it at an economic level is to my mind open to question. Just look at how the internet has priced information to zero. Those with little, will no doubt be needed to provide all the (low cost?) staff for the experience economy companies. Whether they will truely be motivated (as opposed to play acting) to really engage with customers is in my mind also debatable. On the other hand, there could well be an industry opportunity to help these people to be transformed and escape their rut - isn't that, for example, what much of the education industry is about to-day?

Whether one buys the experience argument or not, there is sufficient material in this book to make it a worth while purchase and read. In particular I would highlight the middle sections where Pine explains the need to understand customer's sacrifice, to think of the company's whole offering so that it is greater than the sum of the parts, and to ensure that all employees are working harmoniously together. After all, unless a customer's experience is positively memorable, then they are unlikely to make further purchases or to become advocates for our businesses. In closing, you might like to skip the encore!

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The EVA Challenge
- Implementing Value-Added Change in an Organization

Joel M. Stern and John S. Shiely, with Irwin Ross, 2001, John Wiley and Sons, Inc., USA

ISBN: 0-471-40555-8 (cloth)

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Competing for the Future

Gary Hamel and C.K. Prahaland, 1996, Harvard Business School Press, Boston, Mass.

ISBN 0-87584-416-2 (hc,1994)
ISBN 0-87584-716-1 (pbk, 1996)

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The Mind of the Strategist
- The Art of Japanese Business

Kenichi Ohmae, 1982, McGraw-Hill

ISBN 0-07-047595-4 (hc)
ISBN 0-07-047904-6 (pbk)

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Global Paradox **

John Naisbitt, 1994, BCA - also Nicholas Brealey.

UK ISBN 1857880501
US ISBN 0380724898

Under Construction

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Liberation Management
- Necessary Disorganization for the Nanosecond Nineties

Tom Peters, 1993, Macmillan

ISBN 0-333-53340-2

Under Construction

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